This interview was filmed 14.08.2025 in preparation for Norma’s summing up trip with dance worshops all over the world. We tried to answer the most frequent and important questions her students and the students of her students asked.

Norma’s decided not to travel with workshop any more. In this last trip we’ve organized a huge program with all king of workshops all over the world to Italy, Austria, Netherlands, Russia, USA etc.
Later you will be able to work and learn from her, if you come to Buenos Aires, to her school or online, via zoom.

The idea, the interview and the montage of the video is done by Daria Zakharova, Taller de Baile.

Please welcome, prepare and ask all of your questions and troubles! And viva the dance!

Fingering amazing bandoneonist nicknamed him “The Wizard of the bandoneon.
His record production began in 1944 to seal Pampa and then for the Music Hall.
Born in Carmen de Patagones (Province of Buenos Aires) on April 15, 1916.
He was a child when he dazzled the bandoneon played a sailor and his father should buy this instrument because of his insistence. He made his debut at age 8.
In 1931 joined the orchestra of Carlos Di Sarli and a year later went to the quartet of Roberto Firpo that definitely influenced his conception of tango.
He also played with Francisco Canaro.
He formed his own quartet in 1944 to prevail in his music mode Firpo.
Debuted in Japan in 1969 and then toured France, Italy, Spain, Venezuela, Colombia, etc..
He recorded 78 albums and then 12 LP.
He died on February 18, 1992 at his home in Floresta quartier of the Buenos Aires city
It has 200 compositions including:
• Para cortes y quebradas
• En la tranquera
• Patio de antaño
• Dime que me olvidas
• Música clásica
Excerpted from an article published in the newspaper “Crónica” by Roberto Selles

“Put your salt in the water.
When dissolved, how will you call it?”
People looking for names and labels that are guided by the reality understand nothing

“Dancing is fighting against everything that holds all that buries all that is heavy and oppressive. It’s discovering the essence and soul of life.with the body. It’s go into physical communication with freedom. Therefore, it’s practicing the sacred art”…

…”The dances are sacred in many ways. One is that to perform them in a harmonious, we must be present 100% in that moment, every step, every gesture. There is a close relationship between consciousness and the form: thus is in consciousness is the seed of what will manifest as form.” – Jean Louis Barrault